詹姆斯布鲁塞尔目录
我不知道这个人，可能需要更多的背景信息才能回答这个问题。"James A. Brussel[edit]
Between 1940 and 1956, a serial bomber terrorized New York City by planting bombs in public places including movie theaters, phone booths, Radio City Music Hall, Grand Central Terminal, and Pennsylvania Station. In 1956, the frustrated police requested a profile from Greenwich Village psychiatrist James A. Brussel, who was New York States assistant commissioner of mental hygiene. Dr. Brussel studied photographs of the crime scenes and analyzed the so-called "mad bomber’s" mail to the press. Soon he came up with a detailed description of the offender. In his profile, Dr. Brussel suggested that the unknown offender would be a heavy middle-aged man who was unmarried, but perhaps living with a sibling. Moreover, the offender would be a skilled mechanic from Connecticut, who was a Roman Catholic immigrant and, while having an obsessional love for his mother, would harbour a hatred for his father. Brussel noted that the offender had a personal vendetta against Consolidated Edison, the city’s power company; the first bomb targeted its 67th Street headquarters. Dr. Brussel also mentioned to the police that, upon the offenders discovery, the "chances are he will be wearing a double-breasted suit. Buttoned."[citation needed]
From his profile, it was obvious to the police that the mysterious bomber would be a disgruntled current or unhappy former employee of Con Ed. The profile helped police to track down George Metesky in Waterbury, Connecticut; he had worked for Con Ed in the 1930s. He was arrested in January 1957 and confessed immediately. The police found Brussel’s profile most accurate when they met the heavy, single, Catholic, and foreign-born Metesky. When the police told him to get dressed, he went to his bedroom and returned wearing a double-breasted suit, fully buttoned, just as Dr. Brussel had predicted.[citation needed] However, Malcolm Gladwell has written that offender profiling is not a science at all, but is couched in such ambiguous language that it can support almost any interpretation; and about Brussel says:[17]
Brussel did not really understand the mind of the Mad Bomber. He seems to have understood only that, if you make a great number of predictions, the ones that were wrong will soon be forgotten, and the ones that turn out to be true will make you famous. The Hedunit is not a triumph of forensic analysis. It’s a party trick.
Dr. Brussel assisted New York City police from 1957 to 1972 and profiled many crimes, including murder.[citation needed] Dr. Brussel also worked with other investigative agencies.[citation needed] The media dubbed Dr. Brussel as "Sherlock Holmes of the Couch".[18]
这个希望对你有帮助，如果你还有什么需要问的，你在私信我
克雷迪 (1458-1537年)
洛伦佐·迪·克雷迪是 15世纪下半期到16世纪上半期意大利画家，这正是文艺复兴美术进入盛期发展时代。
宗教题材世俗化，人物造型已经解决解剖透视问题。
物象的质感、量感和空间感已经不是画家着力的艺术难题，画家的向光和色彩造型方面探寻，克雷迪的画风正是体现这一时代的特征。
《同圣朱利安和圣尼古拉斯在一起的圣母子》
这是一幅祭坛画，圣徒作为供养人呈对称式分列圣母子两旁，题材和构图皆承继传统，唯人物造型具有个性。
画中人物形象塑造沉稳、坚实，有雕塑体积感，用笔细腻精到不露笔痕，人们见到的是人，是不同质量感的衣着和大理石，就写实而论已达至高峰。
画家尝以使用自然侧面光源，造成画面上由于光的变化而形成各种微妙的明暗变化层次，尤其是反光和投影的处理，自然恰当而富空间感。
雷斯达尔（1628～1682）Ruisdael，Jacob van
荷兰画家。
1628年（一说1629年)生于哈勒姆，1682年3月卒于同地。
艺术上受其叔父S.van雷斯达尔影响。
作品多描绘海洋、平原和农村。
早期创作以凝重见长，写实功力深厚，代表作《林中小屋》表明他是17世纪前期荷兰风景画写实传统的继承者。
之后，其画风越来越洒脱，对自然的深刻理解，使他将对形态、空间和运动的敏锐感受，融于绘画之中，《犹太人公墓》、《麦田》等，表达了他豪迈的气势，是最具戏剧性和诗意的佳作，预示着19世纪西方浪漫主义风景画的产生。
梅因德尔特·霍贝玛
Meindert Hobbema,1638 - 1709 年
梅因德尔特·霍贝玛是雷斯达尔的学生，荷兰伟大的现实主义风景画大师之一，与老师齐名于画坛。
霍贝玛的艺术观，偏重于对自然的直接观察和描绘，他的风景画多以树木为主体的艺术形象，常反复描绘相似的景色，用精确的造型语言描绘，而产生逼真的画面境界。
这表现在他的代表作《米德尔哈尔尼斯大道》。
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